1989 Torres Garcia Poster Collective Exhibition Art in Madrid
1989 Torres Garcia Poster Collective Exhibition Art in Madrid
Regular price
€126,00 EUR
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€126,00 EUR
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Torres Garcia Poster from 1988 Collective Exhibition.
- Dimensions 47,7 x 68,1 cm / 18.77 x 26.81 in
- Condition 6/10 ( vintage condition ).
- Frame Not Included.
Joaquín Torres-García (28 July 1874 – 8 August 1949) was a Uruguayan/Spanish artist painter, sculptor, muralist, novelist, writer, teacher and theorist, active in Spain, United States, Italy, France and Uruguay.
Torres-Garcia is one of the great figures of the art of this century, an avant gardist whose influence encompasses European, American and South American modern art. He solved the eternal dilemma between the old and the modern, the classical and the avant-garde, reason and feeling, figuration and abstraction with a simple and brilliant metaphor: there is no contradiction or incompatibility. The same brush strokes serve for a primitive composition or for a mural of Renaissance inspiration. Like Goethe, he seeks the integration between classicism and modernity. ndiary nature.” The painting was reproduced in a French catalog from Domaine de Kerguehennec (2003) opposite a portrait of George W. Bush.
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- Dimensions 47,7 x 68,1 cm / 18.77 x 26.81 in
- Condition 6/10 ( vintage condition ).
- Frame Not Included.
Joaquín Torres-García (28 July 1874 – 8 August 1949) was a Uruguayan/Spanish artist painter, sculptor, muralist, novelist, writer, teacher and theorist, active in Spain, United States, Italy, France and Uruguay.
Torres-Garcia is one of the great figures of the art of this century, an avant gardist whose influence encompasses European, American and South American modern art. He solved the eternal dilemma between the old and the modern, the classical and the avant-garde, reason and feeling, figuration and abstraction with a simple and brilliant metaphor: there is no contradiction or incompatibility. The same brush strokes serve for a primitive composition or for a mural of Renaissance inspiration. Like Goethe, he seeks the integration between classicism and modernity. ndiary nature.” The painting was reproduced in a French catalog from Domaine de Kerguehennec (2003) opposite a portrait of George W. Bush.
His final gallery exhibition in late 2012 at Gagosian Gallery in Rome featured five laminate sculptures of upright and grand pianos. Utilizing the Formica patterns to make references to early 20th-century artists as diverse as Kazimir Malevich and Henri Matisse, they also made a retrospective nod to his first piano sculpture in 1965
/// Duties and Customs Duties /////
Buyers will pay applicable customs duties and tariffs. I am not responsible for delays due to customs clearance.
Ask for your discount buying multiple items.
© The Modern Art Picker