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Robert Llimós Art Lithograph

Robert Llimós Art Lithograph

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This Robert Llimós lithograph presents repeated expressive faces in black over scattered red marks. The faces and splashes form part of one horizontal printed composition.

Robert Llimós Art Lithograph Signed and Numbered with COA

- Numbered B216/1000
- Signed in Plate and Numbered by hand
- Measurements; 32 x 45 cm / 12,5 x 17,7 in
- Condition 8/10.
- IMPORTANT Include Publisher-issued certificate ( certification from print editor )

He studied at the Escuela Massana and the Escuela Superior de Bellas Artes de San Jorge. In his beginnings he formed a team with Eduard Arranz Bravo, Rafael Bartolozzi and Gerard Sala, with whom he became known in an exhibition in 1964. In 1969 he separated from the group, and went into conceptual art, in which he carried out some actions such as Llimós en marcha (1972). He returned to painting after commissioning a mural for the March family at their Mallorcan residence in Cala Ratjada. Between 1975 and 1983 he lived in New York, and between 1987 and 1988 in Miami; he currently lives in Barcelona. In 1993 a retrospective exhibition of his work was held in Hospitalet de Llobregat, and the following year he was awarded the National Plastic Arts Prize of the Generalitat de Catalunya. In 1996 he created for the Atlanta Olympic Games the sculpture Marc, one of his most famous works, dedicated to his son who died the previous year, who had that name; the following year a copy of this work was placed in the Olympic Village in Barcelona. His paintings, with bright colors, usually focus on the human figure, represented in an expressionist style.
In 2009 he claimed to have an extraterrestrial contact on a beach in Brazil and to be abducted in a ship for two and a half hours. Since then his pictorial and sculptural production focuses on that experience and on portraits of "reptilian" beings, without obtaining critical recognition.

Condition and edition

The existing listing rates this copy 8/10. Please review the photographs for its individual wear, folds and surface condition. The signature is described as signed in the plate, not handwritten; hand numbering is retained as stated in the listing. Certificate information follows the listing; a certificate from the print editor is not presented as one issued by the artist.

Colors and interior styling

Black, burgundy-red and warm white form the photographed palette. This piece could suit an eclectic living room with simple furniture and a burgundy accent. Framing and display ideas are suggestions, not included accessories.

 

 

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